Aswan's Intellectual
awareness audience
and his love for flowers
The movie
"Asmaa Al Zuhour" Names Of
Flowers “ won the Audience Award in Aswan for women's films, indicating the
awareness of the Aswan fans, including girls and boys attending the festival's
shows, especially in my fourth and seventh ceremonies. I was pleased with this
audience with a film formulated in an unconventional art based on a story
Simple from modern history, as Bolivia prepares to celebrate the fiftieth
anniversary of the death of the "Great Che Guevara", Julia, an
ancient rural teacher, is invited to share her historical story with the world
- to pass a bowl of peanut soup to gangs seized in her classes while reciting a
poem About adultery T for hours before her death. The invitation was canceled
shortly after, while other women are moving forward with the same story of
"soup and flower." The film is a good expression of the language of
cinema, which defeats nationalities and cultures. The director lives in Canada
of Iranian origin and tells a Bolivian story that the Egyptian public enjoyed
in Aswan, granting him his prize, and the jury granted him special mention. The
film previously won the Special Jury Prize at the Tallinn Festival in the first
work competition, and the director previously won his previous record work.
Rehearsal for Implementation, which he directed in Canada in 2013. Bahman
Tavousi had started his career as a journalist and filmmaker at the age of 18
in the capital, Tehran. After producing some short films, Tavosi moved to
Canada, where he founded his own production company, "Peacock Film Production,"
through which he collaborated in the production of films that were shown in
several festivals.
"Asmaa
Al Zuhour" is a charming work by Bahman Tawousi, who was born in Tehran in
1984. This
film was preceded by a short film in 2011 and then a documentary in
2013, and his first feature length novel, Asmaa Al Zuhour, comes from a
Bolivian story. Use of the audio commentary on silent scenes, and a repetition
of the construction of the film to reflect the transformation of the event into
a frequent popular heritage among the women of the village, claiming all of
them women, each of whom claims to have prepared soup for Che Guevara and that
he heard a poem about flowers, the official story only remembers the soup
denies He should have recited a poem. Officials dictate what they say on the
fiftieth anniversary of the romantic mechanism of country, by deleting the poem
and making only soup as a last wish before death. How do people write history
in a spirit that mixes dreams with reality and how does power write it with a
desire to downplay the importance of the revolutionary spirit?
I watched The
film at the Aswan Women's Film Festival surrounded by flowers and flowers from
her youth, and the fragrance of orange flowers accompanies me in the gardens of
her charming indigo islands. Aswan is a beautiful site to hold a film festival
in which we feel the extension of civilization between our ancient Egyptian
civilization and its effects, and between contemporary civilization, which is
reflected in films from Egypt and the world.
Safaa Elaisy
Haggag
Published in Al-Qahera Weekly Magazine Tuesday, February 26, 2020 Editor in
chief Emad Al-Ghazali
